“I want filmmakers to feel that working with me brings an extra layer of depth, flexibility, and commitment to their project.”

Alberto talking about his collaboration with BAFTA-winning filmmaker Stuart Brennan, and composing the score for his feature film Warchief (2024, Lionsgate). Read about it here:

Film & TV Composer Alberto Matesanz Díaz is a storyteller and creative partner.

Alberto Matesanz Díaz is a film and television composer dedicated to telling powerful stories through original music. Known for his collaborative spirit and the distinctive Spanish-British flavor in his scores, Alberto works with ambitious filmmakers to craft cinematic music that elevate their stories and resonates emotionally with audiences.

Working between Madrid and London, Alberto had scored four feature films by the age of twenty-five and collaborated acclaimed directors such as BAFTA-winning Stuart Brennan, Jessie Barnett, Maria Pawlikowska, and Doddi El-Gabry. He has worked with award-winning composer Sefi Carmel at one of London’s top post-production studios, and is currently part of Federico Jusid’s scoring team, contributing to international productions for Amazon, Netflix, Disney+, and more. (Jusid's credits include The Secret in Their Eyes, winner of the Academy Award for Best International Feature.)

Alberto approaches each project as a creative partner, bringing intention, precision, and emotional intelligence. Guided by the belief that great film music should never draw attention to itself, only deepen the narrative experience that serves the story—

beat by beat, frame by frame.

Latest releases

Scoring Studio Films, Building Global Collaborations

Working between Madrid and London, Alberto Matesanz Díaz is rapidly establishing himself as a film composer to watch. By the age of 25, he had already scored four feature films and worked alongside acclaimed directors including BAFTA-winner Stuart Brennan, Jessie Barnett, Maria Pawlikowska, and Doddi El-Gabry.

Alberto honed his craft under award-winning composer Sefi Carmel at one of London's top post-production studios and is now part of Federico Jusid’s scoring team, contributing to high-profile productions for Netflix, Amazon, Disney+, and more. His recent work spans original scores for crime thrillers, fantasy dramas, and emotionally-driven indie films—proof of a young composer making his mark across international screens.

Sound-room

Listen In: A Cinematic Sound World, Scene by Scene

The Sound-Room is a curated showcase of Alberto Matesanz Díaz’s original music—a place to hear how he shapes story through sound. Each piece is paired with visual stills or clips from the films he’s scored, giving insight into how music and image interact.

Alberto’s scoring range includes everything from musical comedies and fantasy epics, to crime thrillers, psychological dramas, and experimental meditations on time and silence. Whether you're a filmmaker, music lover, or curious listener, the Sound-Room offers a window into the emotional architecture of film music—crafted by one of the most versatile young composers working today.

“A film composer is also a storyteller, a sound architect, and a psychological collaborator.”

Alberto on how he collaborates with filmmakers (Cinebur, "Think Outside The Box Office" publication, 2021). Alberto also composed the musical theme of Cinebur's introductory animation, watched by thousands of live audiences across numerous screenings around the world. Learn more here:

Vinyl collection

Own the Score — Limited Edition Soundtrack Vinyls & Composer Merch

Support the work of emerging composer Alberto Matesanz Díaz by owning a physical piece of his musical journey. The Vinyl Collection features exclusive, limited-edition pressings of his original film scores, along with curated composer merch.

These collector’s items aren’t just beautiful—they’re a tangible way to back Alberto’s creative path and bring cinematic music into your everyday space. Whether for your turntable, your wall, or your gift list, each vinyl helps power future stories told through music.